X32 내장 이펙터
The FX Racks
X32 includes an extensive array of onboard effects, rendering outboard processing racks a thing of the past. The Virtual FX rack features 8 true-stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from high-end FX modules including a range of reverbs, delays, EQs, dynamics and much more.
Each FX algorithm has been completely re-imagined for stunning performance – typically costing several times the price of the X32.
Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the X32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults forever!
![Compressor.jpg](http://www.behringer.com/assets/Compressor.jpg)
The immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.
The ultra-smooth optical attenuator is closely modeled in our LA COMPRESSOR. It provides breezing, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*)
![Ultimo-Compressor.jpg](http://www.behringer.com/assets/Ultimo-Compressor.jpg)
WhenUrei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented and the 1176 was one of the first audio processors to benefit from this new technology.
Our digital re-incarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model and authentically captures the smooth character of the original class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)
![Fair-Compressor.jpg](http://www.behringer.com/assets/Fair-Compressor.jpg)
![Combinator.jpg](http://www.behringer.com/assets/Combinator.jpg)
The COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors.
A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.
![Xtec-EQ1.jpg](http://www.behringer.com/assets/Xtec-EQ1.jpg)
The XTEC EQ1 is undisputedly one of the best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement.
We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)
![Xtec-EQ5.jpg](http://www.behringer.com/assets/Xtec-EQ5.jpg)
![Sub-Octaver.jpg](http://www.behringer.com/assets/Sub-Octaver.jpg)
![Edison-EX1.jpg](http://www.behringer.com/assets/Edison-EX1.jpg)
![Sound-Maximizer.jpg](http://www.behringer.com/assets/Sound-Maximizer.jpg)
![Dimensional-Chorus.jpg](http://www.behringer.com/assets/Dimensional-Chorus.jpg)
![Modulation-Delay.jpg](http://www.behringer.com/assets/Modulation-Delay.jpg)
![RichPlate-Room-Chamber.jpg](http://www.behringer.com/assets/RichPlate-Room-Chamber.jpg)
![exciters.jpg](http://www.behringer.com/assets/exciters.jpg)
![Trueq_image.jpg](http://www.behringer.com/assets/Trueq_image.jpg)
Our TruEQ STEREO GEQ delivers musical and responsive signal processing—perfect for general room equalization, indispensable for monitoring. X32 provides up to 16 mono graphic EQs, in addition to the multi-band parametric EQs in all channels and buses, to cope with the most demanding stage monitoring situation.
Plus, the X32’s motorized faders can be switched to control the filter bands of the graphic EQ, with the channel LCDs showing the corresponding filter frequencies—and you can even put this on a user defined hot-key for immediate access. (Modeled after KLARK TEKNIK DN360)
![Vintage-Room.jpg](http://www.behringer.com/assets/Vintage-Room.jpg)
![Plate-Reverb.jpg](http://www.behringer.com/assets/Plate-Reverb.jpg)
![3Tap-Delay.jpg](http://www.behringer.com/assets/3Tap-Delay.jpg)
The 3-TAP DELAY in the X32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns.
Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.
![Hall-Reverb.jpg](http://www.behringer.com/assets/Hall-Reverb.jpg)
![Flanger-and-Delay.jpg](http://www.behringer.com/assets/Flanger-and-Delay.jpg)
![Wave-Designer.jpg](http://www.behringer.com/assets/Wave-Designer.jpg)
![Precision-Limiter.jpg](http://www.behringer.com/assets/Precision-Limiter.jpg)
![DeEsser.jpg](http://www.behringer.com/assets/DeEsser.jpg)
![vintage-reverb.jpg](http://www.behringer.com/assets/vintage-reverb.jpg)
![Chorus-Chamber.jpg](http://www.behringer.com/assets/Chorus-Chamber.jpg)
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211 |
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